This piece is simply unbelieveable. IMO, maybe Liszt’s greatest solo piano work ( along with the Sonata) and perhaps the most overwhelming. Weinen, Klagen, Sorgen, Zagen (Weeping, lamenting, worrying, fearing), BWV 12, is a church to form the Crucifixus movement of the Credo in his Mass in B minor. Franz Liszt based extended keyboard compositions on the same material. For some reason the New Liszt Edition is issuing the two ‘Weinen, Klagen’ pieces amongst the volumes of transcriptions and fantasies on other composers’.
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Do not see this window again for the duration of the session. The work is structured in seven movementsan instrumental Sinfoniaa choral passacagliaa recitative on a Bible quotation, three arias and, as the closing chorale, the last stanza zageb Samuel Rodigast ‘s hymn ” Was Gott tut, das ist wohlgetan ” He reworked the first section of the first chorus to form the Crucifixus movement of the Credo in his Mass in B minor.
Ich folge Christo nach. The twelfth repeat is instrumental.
Variationen über das Motiv von Bach, S.180 (Liszt, Franz)
The form of the aria follows the bar form of the chorale instead of the usual da capo form. The ninth repeat is similar to the llszt, but in more extreme harmonies. The text is also repeated in the middle section, as Bach was still experimenting with the da capo form. Church cantatas by Johann Sebastian Bach.
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We recommend that you assign name-surname. Now that you have this PDF score, member’s artist are waiting for a feedback from you in exchange of this free access. Retrieved 25 April February Total duration: Beginning with the highest voice, each part sings an extended sigh.
The setting is intensified, until in the seventh repeat all voices continue the text simultaneously: If you use and like Free-scores. The first of three arias, ” Kreuz und Krone sind verbunden ” Cross and crown are bound together reflects the conflicting motifs of “Kreuz und Krone” cross and crown and “Kampf und Kleinod” conflict and jewel. In the second aria, ” Ich folge Christo nach ” I follow after Christ the decision to follow Jesus is made.
Weinen, Klagen, Sorgen, Zagen, BWV 12 – Wikipedia
The table entries are excerpted from the list of recordings from the selection on the Lisz website. Sigiswald Kuijken La Petite Bande. Was Gott tut, das ist wohlgetan. The cantata is scored for three vocal soloists, a four-part choir, trumpetoboebassoontwo violinstwo violasand basso continuo.
Hyperion offers both CDs, and downloads in a number of formats. Retrieved 11 August His predecessor, Johan Kuhnau, had already noted that “visitors and distinguished gentlemen certainly want to hear something fine in the principal churches. Complete sheet music 19 pages – This service works with Youtube, Dailymotion.
You are not connected, choose one of two options to submit your comment: The prescribed readings for that Sunday were from the First Epistle of Peter”Submit yourselves to every ordinance of man” 1 Peter 2: Von Gott poetisch-musikalisch reden: Create a quick account: Other recordings available for download.
The text, depicting the affliction that Christians have to pass, is assumed to have been written by Salomon Franckthe Weimar court poet who wrote most texts for Bach cantatas of the Weimar period. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.
The complete music for solo piano, Vol. It follows details of the Gospel and the idea from the epistle reading: Liszt, Franz – Kreuz und Kronen sind verbunden. In German, sorrow is mentioned first, then the final Kingdom of God.
During the last aria, ” Sei getreu, alle Pein ” Be faithful, all pain the trumpet plays the chorale tune ” Jesu, meine Freude ” as a cantus firmus ;  Bach may have thought of the stanza “Weicht, ihr Trauergeister” Go away, mournful spirits. Retrieved 16 April Masaaki Suzuki Bach Collegium Japan. Share this sheet music Free-scores. Public Not listed Private. Variazioni sopra il Basso Continuo del I mov.
Added by giordaniello the Gottes verborgenes und offenbares Handeln in Bachs Kantaten in German.
The cantata is opened by a Sinfoniamarked adagio assaiwhich resembles the slow movement of an oboe concerto, with an expressive and plaintive solo. As concertmaster, he assumed principal responsibility for composing new works, specifically cantatas for the Schlosskirche palace churchon a monthly schedule.